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![Raag Adana]()
Raag Adana
How does Raag Adana compare to Darbari Kanada, Jaunpuri, Megh and Sughrai?
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![Raag Todi]()
Raag Miya Ki Todi
Todi creates a mood that is deep, serious, tranquil, and sometimes mournful. This mood is created through Todi's notes and their movement.
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![Raag Multani]()
Raag Multani
Raag Multani has a very specific play of microtones in its swars. Watch the video to learn how to recognize Multani.
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![Raag Jaunpuri]()
Raag Jaunpuri
Raag Jaunpuri is very close to Raag Asawari. They differ only by 1 note. Watch the video to find out which one it is.
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![Raag Asawari]()
Raag Asawari
Asawari is a Janak Raag. How is it distinct from Jaunpuri and Darbari Kanada which also belong to the Asawari family?
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![Raag Darbari Kanada painting]()
Raag Darbari Kanada
Raag Darbari Kanada is a very deep and an expansive raag. Watch a video demonstration of it's characteristic ati-komal aandolit gandhar and dhaivat.
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![Raag Bhoopali painting]()
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![Raag Shree painting]()
Raag Shree
Raag Shree is from the Poorvi family. It is a Sandhi Prakash, that expresses a serious and melancholy mood.
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![Raag Shuddh Kalyaan painting]()
Raag Shuddh Kalyan
Raag Shuddh Kalyan is a happy, peaceful, romantic raag, that is made from a combination of Raag Bhoop and Kalyan.
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![Raag Deshkar painting]()
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![Raag Gaud Malhar painting]()
Raag Gaud Malhar
Raag Gaud Malhar is a monsoon season raag. Like any other Malhar family Raag, Gaud Malhar takes away the sadness from our lives and brings new rays of hope.
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![Raag Ramkali painting]()
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![Raag Kafi folk image]()
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![Bilawal named after Verawal, Gujrat]()
Raag Alhaiya Bilawal
Raag Alhaiya Bilawal has the same notes as the western major scale. What makes the two systems of music different?
Our Mission
Welcome to IndianClassicalMusic.com. We are on a mission to catalog the rich and nuanced art and technicalities of Hindustani Classical Music with video demonstrations.
One of the most ancient arts that has evolved over centuries, its minutiae are better explained through demonstrations. It is meant to be a reference for anyone looking to learn more about Indian Classical Music. With authenticity in mind, we are carrying out extensive research on each and every topic and taking guidance from authentic sources such as Abhinav Geetanjali by Pt. Ramashreya Jha, Hindustani Sangeet Paddhati by Pt. Bhatkande, and others.
It is important to note that the video encyclopedias are meant to be a reference and that Hindustani Classical Music is best learned in a Guru-Shishya parampara (Teacher-Student tradition).
Endorsements
Tabla maestro Ustad Zakir Hussain inaugurates IndianClassicalMusic.com
“Exceptional effort, indicative of the passion and dedication to preserve as well as celebrate India’s rich musical tradition. I am sure it will deepen the connect between our youth and our culture”
“In times where traditions get lost, and innovation is overshadowed by cheap reproductions, comes the work of the wonderful Kala Ramnath to remind us that there are still safe places where deep rooted traditions and genuine innovation can co-exist, be accessed and taught. This work is both monumental and necessary for all Indian music enthusiasts.”
“Kala Ramnath’s teaching offers a uniquely accessible path into the deep tradition of Raga, and I’m so grateful that she has organized her knowledge and presented so much in these beautifully produced videos that can be revisited again and again by students and lovers of Indian Classical Music. I’ve been honored to work with Kala in multiple teaching and performing environments, and I can affirm that her enthusiasm, warmth and artistry all translate through this program. ”
“The website Indianclassicalmusic.com is a unique and great source of knowledge for the students of music in our department at SNDT University. We are extremely fortunate and eager to listen to more from Vidushi Kala Ramnath Ji from this website. ”
“Hindustani music is one of the world’s greatest classical music traditions and maestra Vidushi Kala Ramnath’s Raag Project (at Indianclassicalmusic.com) is the very first online website to make this tradition accessible to the entire world in all of its unique beauty and intricacy.”
